CSTS B149 Feeling Greece & Rome (1 Unit)
Feeling Greece & Rome is about emotions—what they are to us, to ancient people, and how we can study apparently internal, intuitive, personal feelings in Greek and Latin texts. After we get oriented with some ancient and modern theories of emotion, every week focuses on a particular feeling—anger, desire, grief, disgust, horror, joy, and so on. By the close of this semester, you’ll have: come to appreciate the scope of the (history of the) study of feelings, and how ancient Greek and Roman thinking has informed both scholarly and popular understandings; grappled with a range of theories and methodologies developed by scholars of emotion, ancient and modern, and by classicists in particular; and applied them to ancient contexts yourself. ?
Tagged with: Classical Studies
College Requirement(s): - Critical Interpretation (CI)
- Cross-Cultural Analysis (CC)
- Inquiry into the Past (IP)
Typically Offered: Only Once
CSTS B156 Roman Law in Action (1 Unit)
This course provides an introduction to the study of Roman law and legal history by focusing on the law of the family. The family is a basic building block for society, and the aim of this course is to learn more about Roman society by examining how it developed legal rules for family organization. We will also explore the historical context behind the development of Roman legal institutions, in order to gain an appreciation for Roman law's influence on the modern civil law and common law systems.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
- Latin
College Requirement(s): Cross-Cultural Analysis (CC)
Typically Offered: Occasionally
CSTS B175 Feminism in Classics (1 Unit)
This course will illustrate the ways in which feminism has had an impact on classics, as well as the ways in which feminists think with classical texts. It will have four thematic divisions: feminism and the classical canon; feminism, women, and rethinking classical history; feminist readings of classical texts; and feminists and the classics - e.g. Cixous' Medusa and Butler's Antigone.
Tagged with: Gender and Sexuality Studies
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
CSTS B205 Greek History (1 Unit)
This course traces the rise of the city-state (polis) in the Greek-speaking world beginning in the seventh-century BC down to its full blossoming in classical Athens and Sparta. Students should gain an understanding of the formation and development of Greek identity, from the Panhellenic trends in archaic epic and religion through its crystallization during the heroic defense against two Persian invasions and its subsequent disintegration during the Peloponnesian war. The class will also explore the ways in which the evolution of political, philosophical, religious, and artistic institutions reflect the changing socio-political circumstances of Greece. The latter part of the course will focus on Athens in particular: its rise to imperial power under Pericles, its tragic decline from the Peloponnesian War and its important role as a center for the teaching of rhetoric and philosophy. Since the study of history involves the analysis, evaluation, and synthesis of the sources available for the culture studied, students will concentrate upon the primary sources available for Greek history, exploring the strengths and weakness of these sources and the ways in which their evidence can be used to create an understanding of ancient Greece. Students should learn how to analyze and evaluate the evidence from primary texts and to synthesize the information from multiple sources in a critical way.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classics at Haverford
- Greek
- History
- History at Haverford
- Latin
College Requirement(s): Inquiry into the Past (IP)
Typically Offered: Occasionally
CSTS B206 Cosmos: Myth, Medicine, & Law in Ancient Greece (1 Unit)
The ancient Greek word ‘cosmos’ means ‘order’ or ‘system’; it also means ‘beauty’ or ‘adornment’. The Greeks thought of the world around them as an orderly system, adorned with beauty, but their imaginings of that order took many different forms, from the most fantastic of myths to elaborate mathematical and physiological models. This course explores the systems of order that the Greeks imagined for the universe – the macrocosm, for the human body – the microcosm, and for society – the the system of laws that brings order to humans in the world. Throughout the course, we examine the ways ideas of generation, justice, and gender inflect the cosmic systems, beginning with early Greek epic and moving through the philosophical texts (especially Plato’s Timaeus), Hippocratic medical treatises, and lawcourt speeches. We will explore the discourses of myth, science, and law in the ancient Greek context and their relation to contemporary discourses. Students will gain familiarity with the conceptual schemas of ancient Greek thought that have been fundamental for cosmology, medicine, and law in the Western tradition and will learn to analyze the ways in which these models have shaped ideas of generation, justice, and gender throughout the ages. Students will also improve their skills of critical reading and analytic writing through their work with the readings and writing assignments in the course, and they will hone their skills of reasoned discussion in the class.
Tagged with: Classical Culture and Society at Bryn Mawr
College Requirement(s): Cross-Cultural Analysis (CC)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
CSTS B207 Early Rome and the Roman Republic (1 Unit)
This course surveys the history of Rome from its origins to the end of the Republic, with special emphasis on the rise of Rome in Italy and the evolution of the Roman state. The course also examines the Hellenistic world in which the rise of Rome takes place. The methods of historical investigation using the ancient sources, both literary and archaeological, are emphasized.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classics at Haverford
- Latin
College Requirement(s): Inquiry into the Past (IP)
Typically Offered: Occasionally
CSTS B211 Dysfunctional Families, Gods from Machines: Intro to Greek Tragedy (1 Unit)
This course will introduce the student to the world of Greek Tragedy as it flourished in Athens in 5th century BC. We will read the plays of Aeschylus, Sophocles, & Euripides and discuss the playwrights' treatment of myth, the role of the chorus, the relation between text and performance, and the relevance of Greek tragedy for subsequent centuries, down to the present day. Special attention will be given to modern performances of these ancient plays in theater and in film as well as to the themes of choral voice, disability, euthanasia, slavery; the impact of war on women & children; and the relation between mortals and immortals. Please Note: NO KNOWLEDGE OF ANCIENT GREEK IS REQUIRED. ALL TEXTS WILL BE READ IN ENGLISH!
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
College Requirement(s): - Critical Interpretation (CI)
- Inquiry into the Past (IP)
CSTS B216 Madness in the Ancient Greco-Roman World (1 Unit)
How did ancient Greeks and Romans conceive of madness? Was it a deviant behavior, a contagious disease, or a divine punishment? What is the relationship between madness and music, madness and love, or madness and social control? How have understandings of madness changed from antiquity to the modern day? Our inquiries into these questions concentrate on three cultural realms: war, religion, and passion. In each section, we will read from a range of genres to unravel the complex notion of madness in Greco-Roman antiquity. At the same time, we will compare and scrutinize relevant modern phenomena, such as trauma, addiction, and deviance. All readings are in translation.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Greek
- Latin
College Requirement(s): Cross-Cultural Analysis (CC)
CSTS B218 Reading Changes: Reflecting on Ovid's Metamorphoses (1 Unit)
This course will look at scenes of (mis)communication in Ovid’s Metamorphoses and consider modern (re)interpretations of the Metamorphoses—and explore why these things matter, in classics and beyond! We will look at myths such as Narcissus and Echo, Procne and Philomela, and Proserpina (aka Persephone) to think about the ways we interact with other people, whether we’re reading about them or communicating with them in person. We’ll define “reception;” use modern feminist, queer, and political lenses to read this ancient text (and think about how these lenses– which include Judith Butler, Bonnie Honig, and bell hooks– might apply to any text, ancient or modern); listen to some “Hadestown;” and think about ethics in ways that are just as relevant in our lives today as they are in this work written 2000 years ago. No prior classics experience required, and all readings will be in English translation.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
College Requirement(s): Critical Interpretation (CI)
CSTS B219 Poetic Desires, Queer Longings (1 Unit)
This course places poetry that considers love and desire from Greco-Roman antiquity in conversation with modern poetry and critical theory (queer, feminist, and literary). How are the roles of lover and beloved constructed through gender? How does queer desire and sexuality manifest in different cultural contexts? How have poets sought to express desire through language, and in what ways does language fail to capture that desire? Students in this course will face the difficulties of articulating desire head-on through both traditional literary analysis papers and a creative writing project. Texts will include love poetry by Sappho and Ovid, Trista Mateer’s Aphrodite Made Me Do It, Anne Carson’s Eros the Bittersweet, and Audre Lorde’s “The Uses of the Erotic.”
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Comparative Literature at Bryn Mawr
- Gender and Sexuality Studies
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Only Once
CSTS B222 Tastemakers: Food and Drink in Greece and Rome (1 Unit)
Where does culture come from? At its root is the word colere, “to tend the land for food.” In antiquity, as today, cultivating and consuming food informed every aspect of life, with weddings, funerals, festivals, religious rites, romance, and politics all revolving around the table. In this course, we study the distinct yet overlapping dining cultures of antiquity through archaeological and literary remnants. We will observe how all walks of life collided in dining spaces, including adults and children, emperors and enslaved people, locals and migrants, and animals to eat and adore. We will consider not just the food they ate, but the images they saw on floors and vessels, the utensils they used, the art they performed, the games they played, the music and poetry they enjoyed, and the philosophy they discussed. In doing so, we will thoroughly consider how matters of taste are entangled with notions of identity, ethnicity, ethics, and individuality. All readings are in translation.
Tagged with: Classical Studies
College Requirement(s): Cross-Cultural Analysis (CC)
Typically Offered: Occasionally
CSTS B225 Ancient Worlds in Film and Television (1 Unit)
We explore how ancient stories are transmitted and transmuted in film, television, and related media. Stories from ancient Mediterranean and Near Eastern cultures have been important sources for cinema since the invention of film as a medium in the late 19th century, and likewise movies, series, and other video formats have long been among the most influential vehicles for modern imaginations of ancient worlds. To explore this rich area, we consider a dozen or so feature-length films, several episodes of television series, and shorter works all spanning 120 years of modern cinema (including early and silent films), in connection with a wide range of ancient texts (mostly Greek and Roman, some Near Eastern), and in context of modern scholarship (classical reception studies, film studies).
Tagged with: - Classical Studies
- Classics at Haverford
- Film Studies
- Greek
- Latin
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Every other Spring
CSTS B228 Utopia: Good Place or No Place? (1 Unit)
What is the ideal human society? What is the role and status of man and woman therein? Is such a society purely hypothetical or should we strive to make it viable in our modern world? This course will address these questions by exploring the historic development of the concept of utopia.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
- Greek
- Latin
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
CSTS B229 Queer and Deviant Classics (1 Unit)
This course investigates the capacity of the ancient past to provide marginalized individuals and groups with a sense of identity and community. Using historical and literary records, we will examine modern countercultural receptions of ancient Greece and Rome, which often invited vehement opposition from academics and the broader public. This dynamic is exemplified by a clique of 1900's Parisian women calling themselves "lesbians" after the ancient poet Sappho; Vietnam veterans finding validation in Homer's portrayal of a war-weary Achilles; the use of Plato's philosophy in a landmark American gay rights case in the 1990's; the embrace of Cleopatra as an empowered African queen by Black American authors. In this endeavor we will amend the popular image of the study of classical antiquity, which is and has always been a diverse and inclusive enterprise.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- General Studies
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
CSTS B230 Food and Drink in the Ancient World (1 Unit)
This course explores practices of eating and drinking in the ancient Mediterranean world both from a socio-cultural and environmental perspective. Since we are not only what we eat, but also where, when, why, with whom, and how we eat, we will examine the wider implications of patterns of food production, preparation, consumption, availability, and taboos, considering issues like gender, health, financial situation, geographical variability, and political status. Anthropological, archaeological, literary, and art historical approaches will be used to analyze the evidence and shed light on the role of food and drink in ancient culture and society. In addition, we will discuss how this affects our contemporary customs and practices and how our identity is still shaped by what we eat.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Gender and Sexuality Studies
- Greek
- Latin
College Requirement(s): Cross-Cultural Analysis (CC)
Typically Offered: Occasionally
CSTS B233 Mysteries of the Ancient Greco-Roman World (1 Unit)
This course explores the Mysteries of the ancient Greco-Roman world, examining the evidence for the rituals and religious ideas associated with these often secretive and hidden practices. From the Mysteries for Demeter and Persephone in Eleusis, carried out by thousands of Athenians in a multi-day festival, to the Bacchic revels for Dionysos celebrated by mountain-roaming maenads or sedate civic associations, to the secret rites for the Persian god Mithras, performed by Roman soldiers in cave shrines throughout the empire, these mysterious rituals have exercised their fascination over the centuries, playing an outsized role in the depictions of polytheistic religion in the ancient Mediterranean world.
Tagged with: - Classical Languages at Bryn Mawr
- Classics at Bryn Mawr
- Classics at Haverford
- Greek
- Latin
- Religion at Haverford
College Requirement(s): Cross-Cultural Analysis (CC)
Typically Offered: Every other Spring
CSTS B238 Classical Traditions & Science Fictions (1 Unit)
What might ancient classics say about the modern world? In this course we explore intersections between ancient, Greco-Roman texts and the genre that is most characteristic of the modern, technoscientific world, science fiction. Raising questions about genres and traditions; the role of the 'humanities' in relation to 'technology'; and ways of discovering and evaluating 'knowledge', we consider the possibility that, although antiquity and the present day differ, at base ancient literature has given science fiction its profound sense of wonder about the world. Texts from authors such as Sappho, Sophocles, and Plato; Lucretius, Ovid, and Apuleius; Shelley, Borges, Dick, and Eco; Le Guin, Morrison, Atwood, and Edson; Cameron, Cronenberg, and Demme; and Benjamin, Baudrillard, Haraway, and Hayles.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Comparative Literature at Bryn Mawr
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
CSTS B242 Magic in the Greco-Roman World (1 Unit)
Bindings and curses, love charms and healing potions, amulets and talismans - from the simple spells designed to meet the needs of the poor and desperate to the complex theurgies of the philosophers, the people of the Greco-Roman World made use of magic to try to influence the world around them. In this course students will gain an understanding of the magicians of the ancient world and the techniques and devices they used to serve their clientele, as well as the cultural contexts in which these ideas of magic arose. We shall consider ancient tablets and spell books as well as literary descriptions of magic in the light of theories relating to the religious, political, and social contexts in which magic was used.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
College Requirement(s): Cross-Cultural Analysis (CC)
Typically Offered: Occasionally
CSTS B245 Horror "Classics" (1 Unit)
Ancient Greeks and Romans--authors, poets, and their audiences--recognized that narratives could induce fear in their consumers. This course creates an analogy between ancient and contemporary fear-inducing literature, and asks what work the horror elements do in each. To get at this question, we will visit "classic" figures of horror, including: monsters, witches, ghosts, vampires, shapeshifters, and human beings. Prepare to engage with Greek and Latin sources in translation as well as modern theories of horror.
Tagged with: - Classics at Bryn Mawr
- Classics at Haverford
- Greek
- Latin
College Requirement(s): Cross-Cultural Analysis (CC)
Typically Offered: Only Once
CSTS B246 Eros in Ancient Greek Culture (1 Unit)
This course explores the ancient Greek’s ideas of love, from the interpersonal loves between people of the same or different genders to the cosmogonic Eros that creates and holds together the entire world. The course examines how the idea of eros is expressed in poetry, philosophy, history, and the romances.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
- Gender and Sexuality Studies
- Greek
- Latin
College Requirement(s): - Critical Interpretation (CI)
- Cross-Cultural Analysis (CC)
Typically Offered: Occasionally
CSTS B247 The Beast Within: Animality and Humanity in Antiquity (1 Unit)
How are humans conceptualized as different from animals, and vice versa? How have characterizations of humans as bestial been mobilized to uphold gender, class, ability, and racial hierarchies? Why were there so many depictions in antiquity of humans transforming into animals? This course will consider the above questions by interpreting ancient literary depictions of the human and the animal through the lenses of queer, gender, and critical race theory. Readings will include Ovid’s Metamorphoses, Euripides’ Hippolytus, and Vergil’s Eclogues and Georgics, as well as theoretical selections such as Mel Chen’s Animacies, Bénédicte Boisseron’s Afro-Dog, and Claire Jean Kim’s Dangerous Crossings.
Tagged with: - Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
CSTS B274 Greek Tragedy in Global Cinema (1 Unit)
This course explores how contemporary film, a creative medium appealing to the entire demographic spectrum like Greek drama, looks back to the ancient origins. Examining both films that are directly based on Greek plays and films that make use of classical material without being explicitly classical in plot or setting, we will discuss how Greek mythology is reconstructed and appropriated for modern audiences and how the classical past continues to be culturally significant. A variety of methodological approaches such as film and gender theory, psychoanalysis, and feminist theory will be applied in addition to more straightforward literary-historical interpretation.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classics at Haverford
- Comparative Literature at Bryn Mawr
- Film Studies
- Greek
- Latin
- Visual Studies
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
CSTS B303 Monsters, Wars, and Wanderings: Introduction to Epic (1 Unit)
This course surveys the epic tradition from its earliest surviving expressions in the ancient Near East to its modern reinventions. Beginning with the Epic of Gilgamesh, we examine how epic poetry emerged as a form through which cultures articulate foundational stories about heroism, mortality, community, and the divine. We then trace the development of the genre through key works of Greek and Roman antiquity—including Homer’s Iliad and Odyssey and Virgil’s Aeneid—before turning to later transformations of epic in European and global traditions.
Along the way, we ask how epic constructs ideals of heroism and leadership, how it represents the relationship between human beings and the gods, and how it responds to experiences of war, migration, empire, and cultural memory. Particular attention will be given to questions of genre; of oral vs. written composition; and of the ways later poets reinterpret and challenge earlier epic models. The course concludes with selections from Derek Walcott’s Omeros, a modern epic that reimagines Homeric themes within the historical and cultural landscape of the late 20th century Caribbean.
By reading these works comparatively, students will explore how epic poetry both preserves and reshapes cultural values across millennia, and how the genre continues to evolve as writers revisit its forms and themes to address new historical realities.
Tagged with: Classical Studies
Typically Offered: Occasionally
CSTS B307 Guided Research in Classical Studies (1 Unit)
This course provides the student with the opportunity to engage in seminar-level work on the topic of another CSTS course being offered in the term. With the guidance of the professor, the student will participate in the course activities of that course but will also develop a research project that enables the student to pursue aspects of the topic at a deeper level. This course should provide the student with experience in developing research and writing skills appropriate to the discipline. Prerequisite: Declared major in CLAN or CCAS and permission of instructor.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
Typically Offered: Every Semester
CSTS B362 Feeling Greece & Rome (1 Unit)
Prerequisite(s): At least one 200-level CSTS course, or permission of instructor
Feeling Greece & Rome is about emotions—what they are to us, to ancient people, and how we can study them in Greek and Latin texts. In Weeks 1–7 of this course, we explore theoretical paradigms—of emotion, its history/ies, and its presence in ancient texts and in classical scholarship. In the second half of the course, class sessions become more like workshops to facilitate flexibility and an active posture toward our material. Each Week from 8 on revolves around a particular feeling—anger, desire, grief, and so on. Everyone reads a theoretical or philosophical take on that particular feeling, as it’s experienced or evoked. Then, students are assigned to a pair of readings, either A, B, or C. A/B/C texts are classics-related, and each group includes one piece of scholarship and one Greek or Latin case study to think it with. The case study may be philosophical; involve characters that express feeling/s in-text; and/or they may seek to stimulate or suppress feeling/s in their audience. The case study/scholarship pairs won’t be directly related to encourage their readers to imagine how our sources can constellate. Prerequisite: At least one 200-level CSTS course or permission of instructor.
Tagged with: - Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Greek
- Latin
College Requirement(s): Course does not meet an Approach
CSTS B365 Byzantium and the Classics: The Byzantine Literary Tradition (1 Unit)
This seminar approaches Byzantine literature both as a continuation of the Classical tradition and as a rich corpus that should be studied for its own sake. Each week we will survey one genre of Byzantine literature and focus on two or three texts that will be tailored to the participants' research interests as much as possible. Greek literature will provide the core of our readings, but we will occasionally turn our attention to texts composed in other languages, especially Latin and Syriac. The Byzantine Empire was a multilingual society. For 600-level students, three workshops will be offered on the following three topics: the grammar of Byzantine Greek, paleography, and textual criticism.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classics at Bryn Mawr
- Classics at Haverford
- Greek
- Latin
CSTS B375 Interpreting Mythology (1 Unit)
The myths of the Greeks have provoked outrage and fascination, interpretation and retelling, censorship and elaboration, beginning with the Greeks themselves. We will see how some of these stories have been read and understood, recounted and revised, in various cultures and eras, from ancient tellings to modern movies. We will also explore some of the interpretive theories by which these tales have been understood, from ancient allegory to modern structural and semiotic theories. The student should gain a more profound understanding of the meaning of these myths to the Greeks themselves, of the cultural context in which they were formulated. At the same time, this course should provide the student with some familiarity with the range of interpretations and strategies of understanding that people of various cultures and times have applied to the Greek myths during the more than two millennia in which they have been preserved. Preference to upperclassmen, previous coursework in myth required.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
- Comparative Literature at Bryn Mawr
- Greek
- Latin
Typically Offered: Occasionally
CSTS B398 Senior Seminar (1 Unit)
This is a bi-college seminar devoted to readings in and discussion of selected topics in the various sub-fields of Classics (e.g. literature, religion, philosophy, law, social history) and of how to apply contemporary critical approaches to the primary sources. Students will also begin developing a topic for their senior thesis, composing a prospectus and giving a preliminary presentation of their findings.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Greek
- Latin
Typically Offered: Every Fall
CSTS B399 Senior Seminar (1 Unit)
This is the continuation of CSTS B398. Working with individual advisors from the bi-college classics departments, students will continue to develop the topic sketched out in the fall semester. By the end of the course, they will have completed at least one draft and a full, polished version of the senior thesis, of which they will give a final oral presentation. Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classics at Haverford
- Greek
- Latin
Typically Offered: Every Year
CSTS B403 Supervised Work (1 Unit)
Prerequisite(s): Undergraduate & AB/MA students only.
Tagged with: Classical Studies
Typically Offered: Every Semester
CSTS B639 Italy and the Rise of Rome (1 Unit)
This course examines the archaeology and history of the Italian peninsula in the first millennium BCE, with a particular focus on the dynamics of Rome’s rise from small settlement to the dominant power on the Italian peninsula. Through an examination of the textual, epigraphic, numismatic, and archaeological evidence from Rome and the other major powers in Italy in this period, including the Etruscans, Samnites, and Greek colonial cities, we investigate the major debates and issues surrounding Rome’s rise to power, including the nature of Roman imperialism, processes of “Romanization” or acculturation among non-Romans, and the social and political conflicts and pressures which played a role in shaping the character of the Roman state in the first millennium BCE.
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- Classics at Haverford
CSTS B675 Interpreting Mythology (1 Unit)
The myths of the Greeks have provoked outrage and fascination, interpretation and retelling, censorship and elaboration, beginning with the Greeks themselves. We will see how some of these stories have been read and understood, recounted and revised, in various cultures and eras, from ancient tellings to modern movies. We will also explore some of the interpretive theories by which these tales have been understood, from ancient allegory to modern structural and semiotic theories. The student should gain a more profound understanding of the meaning of these myths to the Greeks themselves, of the cultural context in which they were formulated. At the same time, this course should provide the student with some familiarity with the range of interpretations and strategies of understanding that people of various cultures and times have applied to the Greek myths during the more than two millennia in which they have been preserved.
Typically Offered: Occasionally
GREK B010 Traditional and New Testament Greek (1 Unit)
This is the first half of a year-long introductory course to ancient Greek. It is designed to familiarize students with the basic elements of classical Greek grammar and syntax as well as to provide them with experience in reading short sentences and passages in both Greek prose and poetry.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics
- Classics at Bryn Mawr
- Latin
College Requirement(s): Course does not meet an Approach
Typically Offered: Every Fall
GREK B011 Traditional and New Testament Greek (1 Unit)
This is the second half of a year-long introductory course to ancient Greek. It is designed to familiarize students with the basic elements of classical Greek grammar and syntax. Once the grammar has been fully introduced, students will develop facility by reading parts of the New Testament and a dialogue of Plato. Prerequisite: GREK B010. Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Latin
College Requirement(s): Course does not meet an Approach
Typically Offered: Every Spring
GREK B101 Herodotus (1 Unit)
Prerequisite(s): Prerequisite: GREK B011 or equivalent. Greek 101 introduces the student to one of the greatest prose authors of ancient Greece, the historian, Herodotus. The "Father of History," as Herodotus is sometimes called, wrote one of the earliest lengthy prose texts extant in Greek literature, in the Ionian dialect of Greek. The "Father of Lies," as he is also sometimes known, wove into his history a number of fabulous and entertaining anecdotes and tales. His 'historie' or inquiry into the events surrounding the invasions by the Persian empire against the Greek city-states set the precedent for all subsequent historical writings. This course meets three times a week with a required fourth hour to be arranged. Prerequisite: GREK B010 and B011 or equivalent. Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Haverford
- Latin
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Occasionally
GREK B104 Homer (1 Unit)
Greek 104 is designed to introduce the student to the epic poetry attributed to Homer, the greatest poet of ancient Greece, through selections from the Odyssey. Since Homer's poetic form is so important to the shape and texture of the Odyssey, we will examine the mechanics of Homeric poetry, both the intricacies of dactylic hexameter and the patterns of oral formulaic composition. We will also spend time discussing the characters and ideas that animate this text, since the value of Homer lies not merely in his incomparable mastery of his poetic form, but in the values and patterns of behavior in his story, patterns which remained remarkably influential in the Greek world for centuries. Prerequisite: One year of college level Greek or equivalent.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Latin
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
GREK B201 Plato and Thucydides (1 Unit)
This course is designed to introduce the student to two of the greatest prose authors of ancient Greece, the philosopher, Plato, and the historian, Thucydides. These two writers set the terms in the disciplines of philosophy and history for millennia, and philosophers and historians today continue to grapple with their ideas and influence. The brilliant and controversial statesman Alcibiades provides a link between the two texts in this course (Plato’s Symposium and Thucydides’ History of the Peloponnesian War), and we examine the ways in which both authors handle the figure of Alcibiades as a point of entry into the comparison of the varying styles and modes of thought of these two great writers. Suggested Prerequisites: At least 2 years of college Greek or the equivalent.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics
- Classics at Haverford
- Gender and Sexuality Studies
- Latin
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
Typically Offered: Every Fall
GREK B202 The Form of Tragedy (1 Unit)
This course will introduce the student to two of the three great Athenian tragedians—Sophocles and Euripides. Their dramas, composed two-and-a-half millenia ago, continue to be performed regularly on modern stages around the world and exert a profound influence on current day theatre. We will read Sophocles' Oedipus Tyrannos and Euripides' Bacchae in full, focusing on language, poetics, meter, and performance studies.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Latin
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
GREK B331 Songs for the gods: Ancient Greek Hymns (1 Unit)
Hymns were offerings, constructive of charis, “favor,” between their singers and the divine entities to whom they were sung. This course surveys Greek hymns from the archaic period to late antiquity, and especially those transmitted from the lost manuscript archetype psi. It also explores the religious cultures that these songs helped constitute, and the ideas about the relationship between the divine and the human that they convey. Prerequisite: Advanced Ancient Greek
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Latin
Writing in the Major: Writing Intensive
Typically Offered: Only Once
GREK B350 Topics in Greek Literature (1 Unit)
Open only to advanced undergraduates, this course includes a weekly seminar and a translation session. Three-quarters of the reading will be from primary sources.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classics
- Latin
GREK B609 Pindar & Greek Lyric (1 Unit)
We will begin with a careful reading of Pindar's shorter odes, then proceed to his most famous long odes (Olympian 1, Pythian 3, Pythian 1) and then consider interpretative strategies (past, present, and future) as we survey the rest of the odes. One additional hour of reading TBA.
GREK B630 Euripides (1 Unit)
In this seminar we will look closely at several plays of Euripides, paying special attention to the tragedian's language and meter. We will also read widely in 20th and 21st century scholarship on Euripides.
Tagged with: Greek
GREK B644 Plato (1 Unit)
In this seminar, we will explore the central ideas of a Platonic dialogue as they are unfolded by the varying voices of the interlocutors. In the "Phaedo", Plato presents a poignant picture of the last hours of Socrates. Plato’s dialogues all prompt questions about how to read and understand the complex interchanges between the interlocutors, but no dialogue presents these issues as prominently or paradoxically as the Phaedrus. In their rhetorical speeches on love, Phaedrus speaks for Lysias, while Socrates speaks for Phaedrus or for the nymphs or for Stesichorus. And for whom does Plato speak, or rather, write? And what does he mean when he writes for Socrates the speech that no one serious would ever put anything serious in writing? In this seminar, we will explore the ideas of speech and writing, dialogue and rhetoric, philosophy and eros in the Phaedrus. In addition to a close reading of the text itself, we will sample from the scholarly debates over the understanding and interpretation of the Phaedrus that have gone on over the past two and a half millenia of reading Plato’s Phaedrus.
Typically Offered: Occasionally
GREK B650 Topics in Greek Literature (1 Unit)
pen only to advanced undergraduates, this course includes a weekly seminar and a translation session. Three-quarters of the reading will be from primary sources.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Latin
GREK B653 Athens in the Hellenistic Period (1 Unit)
Surveys of Athenian history tend to conclude if not at the Battle of Chaeronea at any rate at the death of Alexander. Yet Athens did not disappear with the imposition of the Macedonian garrison in 322. Democracy resurfaced periodically over the course of the next century (in 318, 307, 288, and 229), and, more to the point, even under periods of oligarchic rule and Macedonian control, Athenian institutions remained intact, and Athenians continued to make significant contributions to the greater Greek world. Indeed, the century that followed Alexander’s death saw the flowering of Athenian historiography (e.g. Demochares, Diyllus, Philochorus, Timaeus, and Phylarchus) and new comedy (e.g. Menander and Poseidippus), as well as the advent of important philosophical schools (Epicureanism and Stoicism). This course will focus on Athens between the Battle of Chaeronea (338 BCE) and its liberation from Macedonian rule ca. 229 BCE. By way of a variety of contemporary sources, we shall have the opportunity to familiarize ourselves both with the historical narrative and with the intellectual climate of the polis in the early Hellenistic period.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
LATN B001 Elementary Latin (1 Unit)
Latin 001 is the first part of a year-long course that introduces the student to the language and literature of ancient Rome. The first semester focuses upon the grammar of Latin, developing the student’s knowledge of the forms of the language and the basic constructions used. Exercises in translation and composition aid in the student’s learning of the language, while readings in prose and poetry from the ancient authors provide the student with a deeper appreciation of the culture which used this language.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics
- Classics at Haverford
- Greek
College Requirement(s): Course does not meet an Approach
Typically Offered: Every Fall
LATN B002 Elementary Latin (1 Unit)
Latin 002 is the second part of a year-long course that introduces the student to the language and literature of ancient Rome. The second semester completes the course of study of the grammar of Latin, improving the student’s knowledge of the forms of the language and forms of expression. Exercises in translation and composition aid in the student’s learning of the language, while readings in prose and poetry from the ancient authors provide the student with a deeper appreciation of the culture which used this language. Prerequisite: LATN B001. Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
College Requirement(s): Course does not meet an Approach
Typically Offered: Every Spring
LATN B110 Intermediate Latin (1 Unit)
Intensive review of grammar, reading in classical prose and poetry. For students who have had the equivalent of several years of high school Latin or are not adequately prepared to take LATN 101. This course meets three times a week with a required fourth hour to be arranged. Prerequisite: One year of college level Latin or equivalent.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics
- Greek
College Requirement(s): Course does not meet an Approach
Typically Offered: Every Fall
LATN B112 Latin Literature (1 Unit)
In the second semester of the intermediate Latin sequence, readings in prose and poetry are frequently drawn from a period, such as the age of Augustus, that illustrate in different ways the leading political and cultural concerns of the time. The Latin readings and discussion are supplemented by readings in the secondary literature. This course meets three times a week with a required fourth hour to be arranged. Prerequisite: LATN 101 or 110 or placement by the department.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Haverford
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
LATN B201 Topics: Advanced Latin Literature (1 Unit)
This is a topics course, course content varies. In this course typically a variety of Latin prose and poetry of the high and later Roman empire (first to fourth centuries CE) is read. Single or multiple authors may be featured in a given semester. Suggested Preparation: two years of college Latin or equivalent.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Haverford
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
LATN B202 Topics: Advanced Latin Literature (1 Unit)
In this course typically a variety of Latin prose and poetry of the high and later Roman empire (first to fourth centuries CE) is read. Single or multiple authors may be featured in a given semester. This is a topics course, course content varies. Prerequisite: At least one 200-level Latin course or equivalent.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Haverford
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
LATN B320 Martyrs, Mothers, Memoirs: Medieval Autobiographies (1 Unit)
The writing of autobiography flourished in the middle ages, but there have been very few studies of the genre for the period. This course presents a range of autobiographies from the Latin West and encourages students to think about them theoretically and historically: what does it mean to write the self? what is at stake in the presentation of these stories? what notions are privileged? and how do we situate autobiographies in the wider literary landscape?
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Greek
LATN B350 Topics in Latin Literature (1 Unit)
Prerequisite(s): At least two 200-level Latin courses or permission of instructor.
This is a topics course. Course content varies.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Haverford
- Greek
Typically Offered: Occasionally
LATN B637 Vergil Aeneid (1 Unit)
A complete reading and close study of Virgil, whose "afterlife," it has been said with little exaggeration, "is Western literature." We read all of the certain poems--Eclogues (c. 39 BCE), Georgics (c. 29 BCE), and Aeneid (c. 19 BCE)--completely in English, substantial portions of each in the Latin, and scholarship and criticism. Aiming at increased fluency in reading Latin poetry, we also seek to deepen our capacity to respond to this astonishing ancient poet rigorously and meaningfully. Attention is paid to some of Virgil's models in Latin and Greek and to some imitators especially in the European epic tradition.
Tagged with: Classical Culture and Society at Bryn Mawr
ARCH B102 Introduction to Classical Archaeology (1 Unit)
A historical survey of the archaeology and art of Greece, Etruria, and Rome.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Studies
- History of Art
- Museum Studies
College Requirement(s): - Cross-Cultural Analysis (CC)
- Inquiry into the Past (IP)
Typically Offered: Every Spring
ARCH B203 Building the Polis: Ancient Greek Cities and Sanctuaries (1 Unit)
A study of the co-development of the Greek city-states and their sanctuaries. Archaeological evidence is surveyed in its historic context. The political formation of the city-state and the role of religion is presented, and the political, economic, and religious institutions of the city-states are explored with a focus on regional variations in timelines of development, building styles, and connectivity. The logistics of building construction, religious travel, and interregional influences will also be addressed.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Growth and Structure of Cities at Bryn Mawr
- Museum Studies
College Requirement(s): - Cross-Cultural Analysis (CC)
- Inquiry into the Past (IP)
Typically Offered: Occasionally
ARCH B204 Animals in the Ancient Greek World (1 Unit)
This course focuses on perceptions of animals in ancient Greece from the Geometric to the Classical periods. It examines representations of animals in painting, sculpture, and the minor arts, the treatment of animals as attested in the archaeological record, and how these types of evidence relate to the featuring of animals in contemporary poetry, tragedy, comedy, and medical and philosophical writings. By analyzing this rich body of evidence, the course develops a context in which participants gain insight into the ways ancient Greeks perceived, represented, and treated animals. Juxtaposing the importance of animals in modern society, as attested, for example, by their roles as pets, agents of healing, diplomatic gifts, and even as subjects of specialized studies such as animal law and animal geographies, the course also serves to expand awareness of attitudes towards animals in our own society as well as that of ancient Greece.
Tagged with: - Classical Studies
- History of Art
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
ARCH B212 Visual Culture of the Ancient Mediterranean (1 Unit)
This course explores the visual culture of the ancient Mediterranean world from the second millennium BCE to early Roman times. Drawing from an extensive variety of extant evidence that includes monuments, sculpture, paintings, mosaics, and artifacts deriving from culturally and geographically distinct areas, such as the Minoan world, Egypt, Turkey, Syria, Phoenicia, Cyprus, Greece, Macedonia, Italy, Tunisia, and Spain, the course explores how such evidence may have been viewed and experienced and how it may have, in turn, shaped the visual culture of the well-interconnected ancient Mediterranean world. Focusing on selected examples of evidence, including its materials, style, and methods of production, the course will also consider how past and current scholarly attitudes, approaches, and terminology have affected the understanding and interpretation of this evidence.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Middle Eastern/Central Asian/North African Studies
College Requirement(s): Inquiry into the Past (IP)
Writing in the Major: Writing Attentive
ARCH B215 Classical Art (1 Unit)
A survey of the visual arts of ancient Greece and Rome from the Bronze Age through Late Imperial times (circa 3000 B.C.E. to 300 C.E.). Major categories of artistic production are examined in historical and social context, including interactions with neighboring areas and cultures; methodological and interpretive issues are highlighted.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Studies
- Classics at Haverford
- Growth and Structure of Cities at Bryn Mawr
- History of Art
College Requirement(s): - Cross-Cultural Analysis (CC)
- Inquiry into the Past (IP)
Typically Offered: Occasionally
ARCH B222 Alexander the Great (1 Unit)
This course examines the life, personality, career, and military achievements of Alexander the Great, as well as the extraordinary reception of his legacy in antiquity and through modern times. It uses historical, archaeological and art-historical evidence to reconstruct a comprehensive picture of Alexander’s cultural background and examines the real and imaginary features of his life and afterlife as they developed in the Hellenistic and Roman worlds, Late Antiquity, the Middle Ages, Renaissance, and succeeding periods in both Europe and Asia. Special attention is also placed on the appeal that Alexander’s life and achievements have generated and continue to retain in modern popular visual culture as evidenced from documentary films and motion pictures.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Middle Eastern/Central Asian/North African Studies
College Requirement(s): - Critical Interpretation (CI)
- Cross-Cultural Analysis (CC)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
ARCH B242 Colonies and Colonization in the Ancient Mediterranean (1 Unit)
This course focuses on the character and consequences of colonization, colonialism, and imperialism in the ancient Mediterranean. Using archaeological and textual evidence, we will examine the history, practice, and physical manifestations of colonization from the earliest Phoenician and Greek colonies through the imperial world of the Roman Empire. We will discuss a variety of approaches and frameworks used to explore the intersection of migration and mobility, colonization and colonialism, and imperial states and identities in the Classical world, and will explore the impact of these processes on the development of wider Mediterranean networks, identities, and histories.
Tagged with: - Classical Studies
- Classics at Haverford
- International Studies
College Requirement(s): - Critical Interpretation (CI)
- Cross-Cultural Analysis (CC)
Typically Offered: Only Once
ARCH B246 Classical Antiquity in Movies (1 Unit)
This course explores the visual representations and the narratives of the Graeco-Roman times on screen. From silent films to modern Hollywood productions through Netflix, Amazon, and other streaming services productions, students will discuss the impact of classical antiquity in the film-making industry. We will be looking into how the depiction of different aspects of the Greek and Roman past (literature, history, art, archaeology) are used (and misused) on screen and in which way these productions influence the way we understand the ancient world.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Film Studies
College Requirement(s): - Critical Interpretation (CI)
- Cross-Cultural Analysis (CC)
Typically Offered: Occasionally
ARCH B252 Pompeii (1 Unit)
Introduces students to a nearly intact archaeological site whose destruction by the eruption of Mt. Vesuvius in 79 C.E. was recorded by contemporaries. The discovery of Pompeii in the mid-1700s had an enormous impact on 18th- and 19th-century views of the Roman past as well as styles and preferences of the modern era. Informs students in classical antiquity, urban life, city structure, residential architecture, home decoration and furnishing, wall painting, minor arts and craft and mercantile activities within a Roman city.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Growth and Structure of Cities at Bryn Mawr
- History of Art
- Museum Studies
College Requirement(s): Inquiry into the Past (IP)
Typically Offered: Occasionally
ARCH B254 Cleopatra (1 Unit)
This course examines the life and rule of Cleopatra VII, the last queen of Ptolemaic Egypt, and the reception of her legacy in the Early Roman Empire and the western world from the Renaissance to modern times. The first part of the course explores extant literary evidence regarding the upbringing, education, and rule of Cleopatra within the contexts of Egyptian and Ptolemaic cultures, her relationships with Julius Caesar and Marc Antony, her conflict with Octavian, and her death by suicide in 30 BCE. The second part examines constructions of Cleopatra in Roman literature, her iconography in surviving art, and her contributions to and influence on both Ptolemaic and Roman art. A detailed account is also provided of the afterlife of Cleopatra in the literature, visual arts, scholarship, and film of both Europe and the United States, extending from the papal courts of Renaissance Italy and Shakespearean drama, to Thomas Jefferson’s art collection at Monticello and Joseph Mankiewicz’s 1963 epic film, Cleopatra.
Tagged with: - Classical Studies
- Gender and Sexuality Studies
- History of Art
College Requirement(s): - Critical Interpretation (CI)
- Inquiry into the Past (IP)
Typically Offered: Occasionally
ARCH B256 Classical Myths in Art and in the Sky (1 Unit)
This course explores Greek and Roman mythology using an archaeological and art historical approach, focusing on the ways in which the traditional tales of the gods and heroes were depicted, developed and transmitted in the visual arts such as vase painting and architectural sculpture, as well as projected into the natural environment.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classics at Haverford
- History of Art
- Museum Studies
College Requirement(s): Inquiry into the Past (IP)
Typically Offered: Occasionally
ARCH B260 Daily Life in Ancient Greece and Rome (1 Unit)
The often-praised achievements of the classical cultures arose from the realities of day-to-day life. This course surveys the rich body of material and textual evidence pertaining to how ancient Greeks and Romans -- famous and obscure alike -- lived and died. Topics include housing, food, clothing, work, leisure, and family and social life.
Tagged with: - Anthropology at Bryn Mawr
- Classical Culture and Society at Bryn Mawr
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Greek
- Growth and Structure of Cities at Bryn Mawr
- History
- History at Haverford
- Latin
- Sociology/Anthropolgy at Hav
College Requirement(s): - Cross-Cultural Analysis (CC)
- Inquiry into the Past (IP)
ARCH B301 Greek Vase-Painting (1 Unit)
Prerequisite(s): One course in Archaeology
This course is an introduction to the world of painted pottery of the Greek world, from the 10th to the 4th centuries B.C.E. We will interpret these images from an art-historical and socio-economic viewpoint. We will also explore how these images relate to other forms of representation. Prerequisite: one course in classical archaeology or permission of instructor.
Tagged with: - Classical Studies
- Classics
- History of Art
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
ARCH B304 Archaeology of Greek Religion (1 Unit)
This course approaches the topic of ancient Greek religion by focusing on surviving archaeological, architectural, epigraphical, artistic and literary evidence that dates from the Archaic and Classical periods. By examining a wealth of diverse evidence that ranges, for example, from temple architecture, and feasting and banqueting equipment to inscriptions, statues, vase paintings, and descriptive texts, the course enables the participants to analyze the value and complexity of the archaeology of Greek religion and to recognize its significance for the reconstruction of daily life in ancient Greece. Special emphasis is placed on subjects such as the duties of priests and priestesses, the violence of animal sacrifice, the function of cult statues and votive offerings and also the important position of festivals and hero and mystery cults in ancient Greek religious thought and experience.
Tagged with: Classical Studies
ARCH B314 Ancient Greek Seafaring and Shipwrecks (1 Unit)
This course examines the diverse evidence for ancient Greek seafaring and shipwrecks in the Mediterranean Sea from prehistory to the beginning of the Roman Empire. By focusing on archaeological, literary, iconographic, and epigraphic evidence, the course explores ancient Greek, Phoenician, Etruscan, and Roman interconnections in the Mediterranean Sea, through special attention to trade routes, commerce, colonization, economy, naval and maritime technology, cultural interactions, sea exploration, and piracy.
Tagged with: - Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
ARCH B354 Money in the Ancient World (1 Unit)
In this course we shall investigate the ancient world through one of its most fundamental institutions: money. We will learn about different types of ancient money, including coinage, bullion, grain and credit, the various coins used by the Greeks and Romans (as well as other groups, such as ancient Mesopotamians, Persians, Indians and Jews), and about the different methods used to study them. The seminar takes an interdisciplinary approach to major topics in the history of money, including the origins of coinage, monetization, imitations and forgeries, debasement, trade, and the politics of issuing coins. We shall think about economics and social history, as well as the role played by coins in archaeology, and the complex ethical (and legal) issues surrounding the modern practice of coin collecting.
Tagged with: Classics at Bryn Mawr
Typically Offered: Occasionally
ARCH B357 The Hellenistic Age: Art in a Multicultural World (1 Unit)
Following the campaigns of Alexander, the Greeks spread across the Middle East as far as Egypt, Central Asia and India, where they encountered many cultures vastly different from their own. The result was the creation of a diverse, multicultural world, connected by shared elements such as the use of the Greek language, but in which every individual region and society was unique. This diversity is especially evident in the art produced in this period, where we see the Greek obsession with human form, preferably nude, mixing with older artistic traditions in Egypt and Mesopotamia that relied on hierarchy and repetition to perform their functions. In Italy the Romans adopted aspects of Greek art as a means of disrupting their rather stodgy political ideology, with mixed results, whereas in India Greek motifs, popular for reasons as yet unknown, were pressed into the service of Buddhism. In this course we shall examine the art of this dynamic period from ca. 300 to 30 BCE. It is organized geographically, beginning in the Greek mainland and moving across the Middle East, North Africa and Europe to Iran, Central Asia and India. We will focus especially on themes of interaction – how do old and new artistic traditions combine? – and identity – what did these combinations mean to the people who made and used them? – as well as on the roles of power and resistance. Prerequisites: ARCH B101 and 102; or ARCH B101 and a 200-level ARCH course; or ARCH B102 and a 200-level ARCH course; or two 200-level ARCH courses; or permission by instructor. Tagged with: - Classics at Bryn Mawr
- Classics at Haverford
Typically Offered: Occasionally
ARCH B501 Greek Vase Painting (1 Unit)
This course is an introduction to the world of painted pottery of the Greek world, from the 10th to the 4th centuries B.C.E. We will interpret these images from an art-historical and socio-economic viewpoint. We will also explore how these images relate to other forms of representation. Prerequisite: one course in classical archaeology or permission of instructor.
Tagged with: - Classical Studies
- Classics
- History of Art
ARCH B504 Archaeology of Greek Religion (1 Unit)
This course approaches the topic of ancient Greek religion by focusing on surviving archaeological, architectural, epigraphical, artistic and literary evidence that dates from the Archaic and Classical periods. By examining a wealth of diverse evidence that ranges, for example, from temple architecture, and feasting and banqueting equipment to inscriptions, statues, vase paintings, and descriptive texts, the course enables the participants to analyze the value and complexity of the archaeology of Greek religion and to recognize its significance for the reconstruction of daily life in ancient Greece. Special emphasis is placed on subjects such as the duties of priests and priestesses, the violence of animal sacrifice, the function of cult statues and votive offerings and also the important position of festivals and hero and mystery cults in ancient Greek religious thought and experience.
Tagged with: Greek
Typically Offered: Occasionally
ARCH B516 Trade and Transport in the Ancient World (1 Unit)
Issues of trade, commerce and production of export goods are addressed with regard to the Bronze Age and Iron Age cultures of Mesopotamia, Arabia, Iran and south Asia. Crucial to these systems is the development of means of transport via maritime routes and on land. Archaeological evidence for traded goods and shipwrecks is used to map the emergence of sea-faring across the Indian Ocean and Gulf while bio-archaeological data is employed to examine the transformative role that Bactrian and Dromedary camels played in ancient trade and transport.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Studies
ARCH B554 Money in the Ancient World (1 Unit)
In this course we shall investigate the ancient world through one of its most fundamental institutions: money. We will learn about different types of ancient money, including coinage, bullion, grain and credit, the various coins used by the Greeks and Romans (as well as other groups, such as ancient Mesopotamians, Persians, Indians and Jews), and about the different methods used to study them. The seminar takes an interdisciplinary approach to major topics in the history of money, including the origins of coinage, monetization, imitations and forgeries, debasement, trade, and the politics of issuing coins. We shall think about economics and social history, as well as the role played by coins in archaeology, and the complex ethical (and legal) issues surrounding the modern practice of coin collecting.
Tagged with: Classics at Bryn Mawr
Typically Offered: Occasionally
ARCH B557 The Hellenistic Age: Art in a Multicultural World (1 Unit)
Following the campaigns of Alexander, the Greeks spread across the Middle East as far as Egypt, Central Asia and India, where they encountered many cultures vastly different from their own. The result was the creation of a diverse, multicultural world, connected by shared elements such as the use of the Greek language, but in which every individual region and society was unique. This diversity is especially evident in the art produced in this period, where we see the Greek obsession with human form, preferably nude, mixing with older artistic traditions in Egypt and Mesopotamia that relied on hierarchy and repetition to perform their functions. In Italy the Romans adopted aspects of Greek art as a means of disrupting their rather stodgy political ideology, with mixed results, whereas in India Greek motifs, popular for reasons as yet unknown, were pressed into the service of Buddhism. In this course we shall examine the art of this dynamic period from ca. 300 to 30 BCE. It is organized geographically, beginning in the Greek mainland and moving across the Middle East, North Africa and Europe to Iran, Central Asia and India. We will focus especially on themes of interaction – how do old and new artistic traditions combine? – and identity – what did these combinations mean to the people who made and used them? – as well as on the roles of power and resistance.
Tagged with: - Classics at Bryn Mawr
- Classics at Haverford
Typically Offered: Occasionally
GSEM B608 Material Geologies (1 Unit)
This course mobilizes a humanistically informed approach to the study of geological materials, with a focus on late antique and medieval understandings of stones, minerals, metals, and land formation(s). Readings will encompass current perspectives on the diverse epistemologies of geology in the pre-modern world, from the magical and medicinal properties of gems, to the relation of stone and earth to concepts of empire, to mythologies of landscape and geomorphology. Students will explore primary textual sources such as ancient and medieval magical treatises, travel literature, and lapidaries, including works by Pliny the Elder, Procopius, Paul the Silentiary, and Michael Psellos. The course will also foreground visual and material culture, introducing students to both conventional and innovative methodologies and theoretical frameworks for exploring human understandings of the natural world from an interdisciplinary perspective. Students will work with Bryn Mawr’s outstanding collection of geological samples and will learn fundamentals of mineral identification and crystallography. Final projects are expected to build from students’ primary research interests and disciplinary investments. Course enrollment is limited to graduate students in the departments of Classical and Near Eastern Archaeology; Greek, Latin, and Classical Studies; and History of Art.
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- History of Art
GSEM B619 Death and Beyond (1 Unit)
The question of what happens after the moment of death has always fascinated humanity - at one moment there is a living person, the next only a corpse; where did the person go? Every culture struggles with these questions of death and afterlife - what does it mean to die and what happens after death? This seminar will examine a variety of types of evidence - archaeological, poetic, and philosophical - to uncover ideas of death and afterlife in some of the cultures of the ancient Mediterranean world, with particular attention to the similarities and differences between ideas of death and beyond in the cultures of Greece, Egypt, and Mesopotamia. Van Gennep's model of death as a rite de passage provides the basic structure for the class, which is divided into three sections, each concerned with one section of the transition: Dying - leaving the world of the living; Liminality - the transition between the worlds; and Afterlife - existence after death. This anthropological model allows us to analyze the different discourses about death and afterlife.
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- History of Art
Typically Offered: Occasionally
GSEM B623 Figures of Resistance: Classical and Modern (1 Unit)
The GSem will explore classical figures of resistance such as Prometheus, Antigone, Electra, Medea, and Lysistrata and their reception in modern art and cinema. The focus will be on films and other works of art that re-appropriate and transform the ancient characters and their stories. We will discuss in particular how modern filmmakers re-contextualize the classical figures to shed light on contemporary historical, political, and social issues. Films will include Tony Harrison, Prometheus (Great Britain, 1998), Liliana Cavani, The Year of the Cannibals (Italy, 1970), Amy Greenfield, Antigone/Rites of Passion (USA, 1991), Ingmar Bergman, Persona (Sweden, 1966), Miklós Jancsó, Electra, My Love (Hungary, 1974), Arthur Ripstein, Asi Es La Vida (Mexico, 2000), and Spike Lee, Chi-raq (USA, 2015). Readings will be drawn from texts on reception studies, film and gender theory, psychoanalysis, and political theory.
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- Classics at Bryn Mawr
- History of Art
GSEM B624 Greek Tragedy in Performance (1 Unit)
In this seminar we will approach Greek dramatic texts from two angles: theoretically and experientially. On the one hand, we will be reading (in English translation) the tragedies of the three great playwrights of Classical Athens—Aeschylus, Sophocles, and Euripides—while examining their treatment of myth, systems of metaphor and imagery, and the role of the chorus, as well as the relevance of Greek tragedy for subsequent centuries down to the present day. Special attention will be given to such themes as fate and predestination; relation between mortals and immortals; disability; euthanasia; slavery; and the impact of war on women and children. On the other, concurrent with our textual analysis, we will be reading Constantin Stanislavski, Michael Chekhov and other modern theater theorists. We will be applying these acting techniques to the texts in practice (i.e., performing them in class!) as we ask the question, What can be gained from stepping inside the plays and trying them on? No prior acting experience is necessary: just a curiosity about bringing ancient texts to life through the medium of one’s body!
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- Classics at Bryn Mawr
- History of Art
GSEM B625 Dots and Loops: Form and Aesthetics Across Time and Media (1 Unit)
Though it has long been at the heart of aesthetic criticism, the subject of form as an axis of methodological inquiry has regained conspicuous popularity in recent years. Scholars working across, and at the intersection of, various media--including but not limited to material culture, visual art, sound, film, and literature--have been thinking through the ways that form both informs and is informed by what were considered its various antitheses, such as history, politics, and the material archive. The presumed extrication of external “context” was integral to a hermeneutic of form. This was a driving factor, for instance, in nineteenth-century formalism, used to construct coherent narratives surrounding Classical Antiquity through archaeological and art historical understandings of ornament and architecture. These interests continued with the inception of Russian literary Formalism in the early twentieth century, and then French narratology of the midcentury, for whom Homeric form was particularly important. This seminar will examine the various modes of formalist analysis that have emerged in contemporary criticism and their relationships to the formalisms that have come before, studying them alongside artworks across media and through various global histories. How can form speak across Art History, Classics, and Archaeology and to projects that vary widely in their temporal and geographic scopes, we will ask? What does attention to form yield for interdisciplinary scholars, specifically? What are the scope and limits of thinking with lines, dots, loops, circles, squares, parabolas, and shapes of any kind?
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- Classics
- Classics at Bryn Mawr
- History of Art
GSEM B652 Interdepartmental Seminar: History and Memory (1 Unit)
The seminar will begin by establishing the categories of history and memory, as they have been constituted across the humanistic disciplines, defining and refining the epistemological and ontological distinctions between the two. Readings will be drawn first from the writings of Nietzsche and Freud and then move to the work of Barthes, Caruth, Connerton, Foucault, Guha, Gundaker, La Capra, Margolit, Nora, Sebald, Todorov, and Yerushalmi. Once a grounding context is established, the second half of the seminar will be organized around a set of categories, ranging from the material to the theoretical, through which we will continue our explorations in history and memory, among them, the following: trauma, witness, archive, document, evidence, monument, memorial, relic, trace. It is here that we would each draw specifically on our own disciplinary formations and call upon students to do the same. The seminar would, of course, be open to all students in the graduate group.
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- Classics at Bryn Mawr
- History of Art
GSEM B654 War and Peace in the Ancient World (1 Unit)
For centuries history has been perceived, written and taught as a series of wars and periods of peace. Yet, the question remains: what does it mean when a city, a state or a nation is at war, and how do different cultures and societies conceptualize peace? This interdisciplinary seminar explores theories and practices of war and peace in the ancient world, examining the archaeological, epigraphic, and literary evidence. The archaeology of warfare will include battlefields, fortifications, arms and weapons, siege machines, war memorials, funerary monuments as well as the iconography of victors and victims. The literary sources that we will be reading, among them the Homeric epics, select passages from Greek and Roman historiography, philosophical and rhetorical works and ancient handbooks and manuals of warfare, will shed light on the recording of conflicts, the conduct of war, notions of power and peace, the depiction of leaders, the representation of violence, and strategies of commemoration. Investigating bodies of evidence, which are normally studied separately and within specific disciplinary formations, we aim to challenge the entrenched oppositions between archaeology, philology, and history and to engage in a discourse about the complex and changing conceptualizations of war and peace in the ancient world. We plan to have several guest lecturers. Students participating in this seminar will be expected to give oral presentations and to develop their special areas of interests in their research projects applying a variety of methods. No previous classics or archaeology training is required.
Tagged with: - Classical Studies
- Classical and Near Eastern Archaeology at Bryn Maw
- History of Art
HART B210 Critical Approaches to Visual Representation: The Classical Tradition (1 Unit)
This course is writing intensive. An investigation of the historical and philosophical ideas of the classical, with particular attention to the Italian Renaissance and the continuance of its formulations throughout the Westernized world. This course was formerly numbered HART B104; students who previously completed HART B104 may not repeat this course. Prerequisite: one course in History of Art at the 100-level or permission of the instructor. Enrollment preference given to majors and minors in History of Art.
Tagged with: Classical Studies
College Requirement(s): - Critical Interpretation (CI)
- Inquiry into the Past (IP)
Writing in the Major: Writing Intensive
Typically Offered: Every Year
ITAL B228 Creating Classics: A Visual Workshop on Pasolini & Greek Drama (1 Unit)
Is the reception of what we call “Classical Antiquity” a passive exercise of memory, inheritance, and recurrence? Or can it be a truly creative action, a kind of reclaiming, even a subversion of inherently exclusionary ideas and media? And what happens when we try to actively take part in this dialogue with a past that was transmitted to us as important, foundational, original, and authoritative? Rooted in the perspectives of trans-codification, trans-historical tradition, and cultural trans-lation, this course attempts to address such questions both in theory and practice. It starts with a seminar, devoted to the analysis and discussion of primary sources from the ancient Mediterranean and their afterlives in modern media. It then turns into a workshop that is both scholarly and creative.
Tagged with: - Africana Studies
- Classical Languages at Bryn Mawr
- Classical Studies
- Classical Studies
- Classics at Bryn Mawr
- Classics at Haverford
- Comparative Literature at Bryn Mawr
- Film Studies
- Gender and Sexuality Studies
- Praxis Program
- Visual Studies
College Requirement(s): Inquiry into the Past (IP)
Typically Offered: Occasionally
ITAL B326 Love, Magic, and Medicine: Poetical-Philosophical Bonds (1 Unit)
The course investigates how the concepts of love, magic, and medicine emerged and developed throughout early modernity and beyond. In exploring the fields of Philosophy, Medicine, and Magic, global thinkers, poets, and artists drew not only from classical sources, but were also deeply influenced by a wide range of models, such as fictional ancient sources, Islamic philosophy, and the Jewish Kabbalah. In this interesting syncretism, love was considered as an inspiration experienced by the entire universe, and magical practice was understood as a philosophy in action, which had the power to establish a bond of a loving nature between the different realms of reality. Magicians were therefore conceived as wise philosophers capable of joining this network of correspondences and controlling them (art)ificially. As a result, the figures of poets and artists interestingly merged into those of magicians of physicians, and poetry was conceived both as a magic able to arouse mental images stronger than real visions, and as a medicine able to exert a mental and physiological agency on the body. The course will approach these themes through a multi-disciplinary and trans-historical approach, which will include in the discussion a wide variety of figures, such as global early modern and modern philosophers, physicians, poets, artists, and composers.All readings and class discussion will be in English. Students will have an additional hour of class for Italian credit.
Tagged with: - Classical Culture and Society at Bryn Mawr
- Classical Languages at Bryn Mawr
- Classical Studies
- Health Studies
- Health Studies
- History
- History of Art
- Middle Eastern, Central Asian & North African Stud
- Philosophy
- Philosophy at Haverford
College Requirement(s): Course does not meet an Approach
Typically Offered: Occasionally
PHIL B101 Happiness and Reality in Ancient Thought (1 Unit)
What makes us happy? The wisdom of the ancient world has importantly shaped the tradition of Western thought but in some important respects it has been rejected or forgotten. What is the nature of reality? Can we have knowledge about the world and ourselves, and, if so, how? In this course we explore answers to these sorts of metaphysical, epistemological, ethical, and political questions by examining the works of the two central Greek philosophers: Plato and Aristotle. We will consider earlier Greek religious and dramatic writings, a few Presocratic philosophers, and the person of Socrates who never wrote a word.
Tagged with: - Classical Studies
- Philosophy at Haverford
College Requirement(s): - Critical Interpretation (CI)
- Inquiry into the Past (IP)
Typically Offered: Every Spring
PHIL B212 Metaphysics: Are You Free? (1 Unit)
Metaphysics is inquiry into basic features of the world and ourselves. This course considers topics of time, free will, personal identity, and their relationship. What is free will and are we free? Is freedom compatible with determinism? Does moral responsibility require free will? What makes someone the same person over time? Can a person survive without their body? Is the recognition of others required to be a person?
Tagged with: - Classical Studies
- Philosophy at Haverford
College Requirement(s): Critical Interpretation (CI)
Writing in the Major: Writing Attentive
Typically Offered: Occasionally
POLS B224 Comparative Political Phil: China, Greece, and the "West" (1 Unit)
Prerequisite(s): At least one course in either Philosophy, Political Theory, or East Asian Studies, or consent of the instructor.
An introduction to the dialogic construction of comparative political philosophy, using texts from several cultures or worlds of thought: ancient and modern China, ancient Greece, and the modern West. The course will have three parts. First, a consideration of the synchronous emergence of philosophy in ancient (Axial Age) China and Greece; second, the 19th century invention of the modern "West" and Chinese responses to this development; and third, the current discussions and debates about globalization, democracy, and human rights now going on in China and the West. Prerequisite: At least one course in either Philosophy, Political Theory, or East Asian Studies, or consent of the instructor.
Tagged with: - Classical Studies
- Growth and Structure of Cities at Bryn Mawr
- International Studies
- International Studies
- Philosophy
- Philosophy at Haverford
- Political Science at Haverford
College Requirement(s): - Critical Interpretation (CI)
- Cross-Cultural Analysis (CC)
POLS B228 Living Justly in an Unkind World (1 Unit)
An introduction to the fundamental problems of political philosophy, especially the relationship between political life and the human good or goods.
Tagged with: - African Studies at Bryn Mawr
- Africana Studies
- Classical Studies
- Philosophy
- Philosophy at Haverford
- Political Science at Haverford
College Requirement(s): Critical Interpretation (CI)
Typically Offered: Every Spring